Reflections from a Third-Grade Classroom

Okay group, based on what I received, here’s our choices:

• Monster

“Monster” is what the prosecutor called 16-year-old Steve Harmon for his supposed role in the fatal shooting of a convenience-store owner. But was Steve really the lookout who gave the “all clear” to the murderer, or was he just in the wrong place at the wrong time? In this innovative novel by Walter Dean Myers, the reader becomes both juror and witness during the trial of Steve’s life. To calm his nerves as he sits in the courtroom, aspiring filmmaker Steve chronicles the proceedings in movie script format. Interspersed throughout his screenplay are journal writings that provide insight into Steve’s life before the murder and his feelings about being held in prison during the trial. “They take away your shoelaces and your belt so you can’t kill yourself no matter how bad it is. I guess making you live is part of the punishment.”

Myers, known for the inner-city classic Motown and Didi (first published in 1984), proves with Monster that he has kept up with both the struggles and the lingo of today’s teens. Steve is an adolescent caught up in the violent circumstances of an adult world–a situation most teens can relate to on some level. Readers will no doubt be attracted to the novel’s handwriting-style typeface, emphasis on dialogue, and fast-paced courtroom action. By weaving together Steve’s journal entries and his script, Myers has given the first-person voice a new twist and added yet another worthy volume to his already admirable body of work. (Ages 12 and older)

• True North

An excellent work of historical fiction, carefully researched and poignantly told. In Virginia’s Great Dismal Swamp in 1858, 14-year-old Afrika defies Harriet Tubman and chooses to stay with her dying newborn baby while the others continue to travel north. Afterwards, she resumes her flight from slavery to freedom alone. Meanwhile, Lucy Bradford of Boston finds the hoopla surrounding her older sister’s wedding a total bore. She looks for some excitement and finds more than she bargained for when she discovers the young slave hiding in her grandfather’s house. Suddenly, Lucy’s predictable life is turned upside down as she helps the girl continue north. After Afrika reaches the safety of Canada and Lucy returns home, the two write to one another regularly. Finally, five decades later, Lucy welcomes Afrika to her Boston home.

The two main characters are resilient, appealing, and complex. As the story switches back and forth from one to the other, the inevitability of their encounter and readers’ curiosity about the circumstances under which this meeting will occur create a page-turning scenario. The grim realities of slavery are unforgettably revealed through Afrika, and the contrast between her life and Lucy’s is starkly and effectively conveyed. The detailed settings add to the authenticity of the telling. Young people who have enjoyed Jennifer Armstrong’s Steal Away (Orchard, 1992) will find Lasky’s novel another thought-provoking look at this tumultuous period in U.S. history. (Grade 6-9)

• Gathering Blue

Lois Lowry’s magnificent novel of the distant future, The Giver, is set in a highly technical and emotionally repressed society. This eagerly awaited companion volume, by contrast, takes place in a village with only the most rudimentary technology, where anger, greed, envy, and casual cruelty make ordinary people’s lives short and brutish. This society, like the one portrayed in The Giver, is controlled by merciless authorities with their own complex agendas and secrets. And at the center of both stories there is a young person who is given the responsibility of preserving the memory of the culture–and who finds the vision to transform it. Kira, newly orphaned and lame from birth, is taken from the turmoil of the village to live in the grand Council Edifice because of her skill at embroidery. There she is given the task of restoring the historical pictures sewn on the robe worn at the annual Ruin Song Gathering, a solemn day-long performance of the story of their world’s past. Down the hall lives Thomas the Carver, a young boy who works on the intricate symbols carved on the Singer’s staff, and a tiny girl who is being trained as the next Singer. Over the three artists hovers the menace of authority, seemingly kind but suffocating to their creativity, and the dark secret at the heart of the Ruin Song.

With the help of a cheerful waif called Matt and his little dog, Kira at last finds the way to the plant that will allow her to create the missing color–blue–and, symbolically, to find the courage to shape the future by following her art wherever it may lead. With astonishing originality, Lowry has again created a vivid and unforgettable setting for this thrilling story that raises profound questions about the mystery of art, the importance of memory, and the centrality of love. (Ages 10 and older)

• Tasting the Sky: A Palestinian Childhood

This moving memoir of a Palestinian woman’s childhood experiences during the Six-Day War and its aftermath is presented in beautifully crafted vignettes. Barakat, now living and working in the United States, frames the story of her life between 1967 and 1970 with a pair of letters from herself as a high school student in 1981. Detained by soldiers during an ordinary bus trip, she was prompted to try to recall her shattered childhood and share her experiences with others around the world. She begins with a description of her three-year-old self, temporarily separated from her family in their first frantic flight from their Ramallah home as the war began.

The author’s love for the countryside and her culture shines through her bittersweet recollections. Careful choice of episodes and details brings to life a Palestinian world that may be unfamiliar to American readers, but which they will come to know and appreciate. Readers will be charmed by the writer-to-be as she falls in love with chalk, the Arabic alphabet, and the first-grade teacher who recognizes her abilities. (Ages 9-12)

• American Born Chinese

Indie graphic novelist Gene Yang’s intelligent and emotionally challenging American Born Chinese is made up of three individual plotlines: the determined efforts of the Chinese folk hero Monkey King to shed his humble roots and be revered as a god; the struggles faced by Jin Wang, a lonely Asian American middle school student who would do anything to fit in with his white classmates; and the sitcom plight of Danny, an All-American teen so shamed by his Chinese cousin Chin-Kee (a purposefully painful ethnic stereotype) that he is forced to change schools. Each story works well on its own, but Yang engineers a clever convergence of these parallel tales into a powerful climax that destroys the hateful stereotype of Chin-Kee, while leaving both Jin Wang and the Monkey King satisfied and happy to be who they are.

Yang skillfully weaves these affecting, often humorous stories together to create a masterful commentary about race, identity, and self-acceptance that has earned him a spot as a finalist for the National Book Award for Young People. The artwork, rendered in a chromatically cool palette, is crisp and clear, with clean white space around center panels that sharply focuses the reader’s attention in on Yang’s achingly familiar characters. There isn’t an adolescent alive who won’t be able to relate to Jin’s wish to be someone other than who he is, and his gradual realization that there is no better feeling than being comfortable in your own skin. (Ages 9-12)

• The Poet Slave of Cuba: A Biography of Juan Francisco Manzano

This is an absolutely lovely book about the unlovely subject of slavery. It is the biography of an extraordinary young man, with extraordinary intellectual powers, who was born into slavery in Cuba in 1797. Told in verse, it recounts the sufferings and trials of Manzano. As a boy, he was capable of memorizing and reciting poetic verses in many different languages. He could recount epic tales read to him, and in this way served as the entertainment for his mistress and her many guests. Later, when he became the property of a crueler mistress, his talents helped him endure numerous beatings and confinements. It is amazing that he was able to survive, and even more astonishing that he was able to maintain his humanity and his sensitive poetic nature.

Manzano’s sufferings are almost too painful to read about, but the experience is made bearable by Engle’s skillful use of verse. Qualls’s drawings are suitably stark and compelling, wonderfully complementing the text. This is an exceptional book on two levels. First, it introduces Manzano to an American public. Second, it introduces readers to slavery as it was practiced in a country other than the United States. Both are noteworthy. This is a book that should be read by young and old, black and white, Anglo and Latino. (Ages 9-12)

• Elijah of Buxton

After his mother rebukes him for screaming that hoop snakes have invaded Buxton, gullible 11-year-old Elijah confesses to readers that “there ain’t nothing in the world she wants more than for me to quit being so doggone fra-gile.” Inexperienced and prone to mistakes, yet kind, courageous, and understanding, Elijah has the distinction of being the first child born in the Buxton Settlement, which was founded in Ontario in 1849 as a haven for former slaves. Narrator Elijah tells an episodic story that builds a broad picture of Buxton’s residents before plunging into the dramatic events that take him out of Buxton and, quite possibly, out of his depth.

In the author’s note, Curtis relates the difficulty of tackling the subject of slavery realistically through a child’s first-person perspective. Here, readers learn about conditions in slavery at a distance, though the horrors become increasingly apparent. Among the more memorable scenes are those in which Elijah meets escaped slaves—first, those who have made it to Canada and, later, those who have been retaken by slave catchers. Central to the story, these scenes show an emotional range and a subtlety unusual in children’s fiction. Many readers drawn to the book by humor will find themselves at times on the edges of their seats in suspense and, at other moments, moved to tears. A fine, original novel from a gifted storyteller. (Ages 9-12)

Modification:  Polling html is too smart for me, and won’t let us vote more than once in a 24-hour period.  So just leave your top two choices in the comments.